Rangoli is made to dissolve — at temple thresholds, at festival doorways, in colored powder and intention. Rangoli in Permanence asks what happens when you refuse to let it fade.

There is white in this painting that refuses to stay buried. Structural Emergence is an inquiry into what survives noise — what presses through accumulated color to assert itself, insistent, on the other side.

Abstract oil painting by Ritu Raj featuring layered rust and earth tones with emerging color rectangles — black, orange-red, deep crimson, teal, cobalt, and a yellow base strip. Abstract Inquiry Series. 5 × 5 ft. Phoenix, Arizona. 2026.

A 5×6 ft oil painting from the Abstract Inquiry Collection exploring structure, movement, and intuitive line — where every mark is a thought in motion.

Chromatic Constellation is a 6 × 6 ft multi-panel abstract painting composed of nine 2 × 2 ft canvases exploring gesture, texture, and the relationship between structure and improvisation.

Emerald Pulse stands at the intersection of balance and disruption: a vivid green block anchors the canvas while sweeping lilac and crimson gestures surge around it. The painting recalls the meditative geometries of Rothko and the layered dynamism of Bradford, offering a conversation between stability and motion.

In Orbit of Blue, a vibrant rectangular block anchors the composition while sweeping arcs of orange, teal, and gold orbit around it. This painting resonates with the layered dynamism of Mark Bradford and the luminous weight of Anselm Kiefer, blending geometry and motion into a striking dialogue.

In River Through Desert, geometric blocks collide with unruly, painted lines — a vibrant diptych where order meets motion and a river cuts through stillness.

‘Stepwell’ is a quiet echo of saffron and slate, drawn from the Pop Art collection. Balance tips toward awe and ambiguity.

‘Angled Stepwell’ is plunging through celadon and smoke, drawn from the Pop Art collection. Structure flickers into emotion and back again.

‘Abstract Stepwell’ is molten lines in arctic white, drawn from the Pop Art collection. Forms collapse into reverie and return.

‘Underwater’ is cerulean meets bone-dry sienna, drawn from the The Pulse of Life collection. Every mark a memory half-remembered.

‘Eating Black Square’ is drenched in stormy indigo and sunlit ochre, drawn from the Organic Movement collection. Not an image — but an encounter.

‘Ganesh in the Abstract’ is dappled coral flickers across shadowed green, drawn from the Geometric Splendor collection. A canvas holding both stillness and storm.

‘Crashing’ is a drift of moss and ember, drawn from the Greyscale collection. Structure flickers into emotion and back again.

‘X-Ray’ is drenched in stormy indigo and sunlit ochre, drawn from the Geometric Splendor collection. Forms collapse into reverie and return.

‘Silver Frame’ is drenched in stormy indigo and sunlit ochre, drawn from the Geometric Splendor collection. Lines that whisper across thresholds of knowing.

‘Monster Dream’ is plunging through celadon and smoke, drawn from the Geometric Splendor collection. Structure flickers into emotion and back again.

‘Circle Barbed Wire’ is cerulean meets bone-dry sienna, drawn from the Geometric Splendor collection. Each layer pulses with breath and restraint.

‘Abstraction of Yellow (Not)’ is cerulean meets bone-dry sienna, drawn from the Geometric Splendor collection. Not an image — but an encounter.