─ PORTFOLIO- RITUART.COM200+ Paintings.
Six Years. One Practice.
From Phoenix to Los Angeles, from the first canvas in lockdown to the studio at 1,400 square feet. The work keeps asking new questions. → Studio Census: 253 works, 9 collections
6
COLLECTIONS
250+
Original WORKS
3
CONTINENTS COLLECTED
2020
PRACTICE BEGAN
─ CURATED COLLECTIONS25 Essential Works
Some paintings arrive fully formed. Others are argued into existence over days. These were chosen not by scale or price, but by what they asked of the work — and of the artist. Begin here.
Rangoli is made to dissolve — at temple thresholds, at festival doorways, in colored powder and intention. Rangoli in Permanence asks what happens when you refuse to let it fade.
There is white in this painting that refuses to stay buried. Structural Emergence is an inquiry into what survives noise — what presses through accumulated color to assert itself, insistent, on the other side.
There is a moment in every painting when the surface stops being negotiable. With Phoenix, that moment came early — and never left. This is not a painting about fire. It is fire thinking about itself.
A 6×6 ft abstract oil painting exploring layered color, fragmentation, and constructed meaning from the Abstract Inquiry Collection by Ritu Raj.
A 6×6 ft abstract acrylic painting exploring bold color bands, layered texture, and sustained tension from the Abstract Inquiry Collection by Ritu Raj.
A 5×6 ft oil painting from the Abstract Inquiry Collection exploring structure, movement, and intuitive line — where every mark is a thought in motion.
Waves of Threaded Flame is a powerful 6x5 ft painting by Ritu Raj using his signature Organic Movement method. Made with oil and thread, it fuses tactile motion with emotional presence—blurring the line between gesture and sensation.
In String Wave, motion becomes form. The string leaves behind a memory of flow — a rhythm where energy and silence converge.
Emerald Pulse stands at the intersection of balance and disruption: a vivid green block anchors the canvas while sweeping lilac and crimson gestures surge around it. The painting recalls the meditative geometries of Rothko and the layered dynamism of Bradford, offering a conversation between stability and motion.
In Orbit of Blue, a vibrant rectangular block anchors the composition while sweeping arcs of orange, teal, and gold orbit around it. This painting resonates with the layered dynamism of Mark Bradford and the luminous weight of Anselm Kiefer, blending geometry and motion into a striking dialogue.
Tension and tenderness erupt across a nine-foot field in Tangled Pulse of a Shattered World. In this sweeping diptych, Ritu Raj uses thread and retarded acrylics to choreograph emotional turbulence into radiant, rhythmic fragments—offering not just commentary, but catharsis.
In River Through Desert, geometric blocks collide with unruly, painted lines — a vibrant diptych where order meets motion and a river cuts through stillness.
‘Renaissance’ is cerulean meets bone-dry sienna, drawn from the Pop Art collection. Not an image — but an encounter.
‘Blue Lily’ is a drift of moss and ember, drawn from the Pop Art collection. A canvas holding both stillness and storm.
‘Iceland Hill by the Lake’ is molten lines in arctic white, drawn from the Black and White collection. Each layer pulses with breath and restraint.
‘Lava’ is drenched in stormy indigo and sunlit ochre, drawn from the Ephemeral Atmosphere collection. A canvas holding both stillness and storm.
‘Passion Unleashed’ is molten lines in arctic white, drawn from the Ephemeral Atmosphere collection. Each layer pulses with breath and restraint.
‘My Planet’ is a thrum of maroon and teal, drawn from the Ephemeral Atmosphere collection. Balance tips toward awe and ambiguity.
‘Focus’ is molten lines in arctic white, drawn from the Hand-painted Photography collection. Lines that whisper across thresholds of knowing.
‘Square Earth’ is dappled coral flickers across shadowed green, drawn from the Geometric Splendor collection. Forms collapse into reverie and return.
‘My New Heart’ is a quiet echo of saffron and slate, drawn from the Ephemeral Atmosphere collection. Balance tips toward awe and ambiguity.
‘Blue Lagoon’ is molten lines in arctic white, drawn from the Geometric Splendor collection. Lines that whisper across thresholds of knowing.
‘Storm’ is humming with obsidian and gold, drawn from the Ephemeral Atmosphere collection. Structure flickers into emotion and back again.
‘Mindful Craziness’ is molten lines in arctic white, drawn from the Ephemeral Atmosphere collection. Its rhythm stirs the unsaid.
─ ART COLLECTIONS─ ARTIST COLLECTION 1
In Feathered Flames in the Abyss, Ritu Raj uses her thread-painting process to pull streaks of energy from shadow, revealing a choreography of tension, stillness, and release.
Waves of Threaded Flame is a powerful 6x5 ft painting by Ritu Raj using his signature Organic Movement method. Made with oil and thread, it fuses tactile motion with emotional presence—blurring the line between gesture and sensation.
In "Flight of Shadows," Ritu Raj captures the essence of motion and stillness through layered charcoal and black forms. This contemplative abstract painting invites viewers into a space of quiet tension and atmospheric depth.
In Fire and Flame, a radiant vertical block of yellow and red blazes against a field of sweeping blue and white arcs. The composition resonates with the luminous chromatic fields of Rothko and the energetic layering of Mehretu, balancing structure and motion in a single frame.
Abstract painting Sense of Reality featuring circular organic brushstrokes in blue and yellow exploring perception and movement
Abstract painting titled Wound That Thinks featuring organic red textures against a blue field exploring movement and consciousness
Abstract oil painting titled Self Remembering Itself featuring swirling blue, red, and white organic forms in circular motion on a 3x3 ft canvas.
Interior Mass is a 3x3 ft abstract painting exploring organic movement, texture, and inner form through layered gesture and deep blue space.
Abstract painting titled Gravity of Attention featuring a luminous yellow form with organic movement against a textured blue and orange background, oil on canvas.
Continuity of Feeling is a3x3 ft abstract painting exploring organic movement, emotional flow, and layered gesture through color and texture.
Organic Movement
─ ARTIST COLLECTION 2
Green, then yellow, then three blues, then red. For three days it would not balance. This morning I laid red across the whole canvas, put down too much, and spent the afternoon bringing it back with blue — scraping the whole time, so the red comes up through.
Abstract painting Sindoor Field by Ritu Raj: a saturated red field at six feet square, pooled light and dark across deep trowel-combed ridges that snake over the whole canvas, cooling toward oxblood at the right edge.
Abstract painting Sea Change by Ritu Raj: a combed blue field sweeping down from the upper left like weather over deep water, darkening toward navy at the upper right, with viridian and sea green diffused along the lower edge.
Four arms of blue flow inward and meet, and at the meeting there is light — brighter than anything that arrived. Painted over a 2022 canvas turned ninety degrees, where the ridges of a painting that no longer exists carry all the glow.
Something in this painting has stopped moving and started giving off heat. A cobalt sanctum radiating ring after ring into an orange field — not a fortress keeping the warmth out, but the source that makes it.
One line that will not settle. The yellow crosses back on itself, knotting and coiling home against a deeply combed black field — restlessness with the volume up, and a homecoming underneath the loudness.
One body in this painting refuses to hold still. The blue moves through a field that outnumbers it — jointed, insistent, declining to be absorbed — until you stay long enough to hear it was a passage all along.
Three simultaneous systems on a single canvas — frame, fault line, and loop. Ritu Raj on the painting that names the moment before resolution arrives.
Two vortex fields in permanent conversation — one dissolving, one generating. Ritu Raj on the painting that holds duality in a single geometry.
A single unbroken yellow-green gesture crossing a tidal blue field. Ritu Raj on the painting that is one decision, made slowly.
Abstract Inquiry
─ ARTIST COLLECTION 3
There are two marks in this painting. One is paint — thick, decisive, black, moving like a body that already knows where it's going. The other is thread. A single white strand, tracing its own path across the surface. Unhurried. Thin. Present without insisting on anything.
‘Plankton in Sun Light Ocean’ is humming with obsidian and gold, drawn from the Organic Movement collection. Lines that whisper across thresholds of knowing.
‘Plankton in Dark Ocean’ is drenched in stormy indigo and sunlit ochre, drawn from the Organic Movement collection. Here, wonder dissolves into the seen and unseen.
‘Eating Black Square’ is drenched in stormy indigo and sunlit ochre, drawn from the Organic Movement collection. Not an image — but an encounter.
‘Dark Chaos’ is humming with obsidian and gold, drawn from the Organic Movement collection. Structure flickers into emotion and back again.
‘Vision in Space’ is a thrum of maroon and teal, drawn from the Greyscale collection. Each layer pulses with breath and restraint.
‘Cosmos’ is crimson tension woven into silence, drawn from the Greyscale collection. Every mark a memory half-remembered.
‘Antelope Canyon’ is a thrum of maroon and teal, drawn from the Greyscale collection. Lines that whisper across thresholds of knowing.
‘Unraveling (Diptych)’ is molten lines in arctic white, drawn from the Greyscale collection. Lines that whisper across thresholds of knowing.
‘Politics 2024 (Diptych)’ is humming with obsidian and gold, drawn from the Greyscale collection. Forms collapse into reverie and return.
Black & White
─ ARTIST COLLECTION 4
‘Still Life at Night’ is cerulean meets bone-dry sienna, drawn from the Out of Darkness collection. Forms collapse into reverie and return.
‘Rewriting’ is plunging through celadon and smoke, drawn from the Out of Darkness collection. Here, wonder dissolves into the seen and unseen.
‘Flower Vase’ is a drift of moss and ember, drawn from the Out of Darkness collection. Not an image — but an encounter.
‘Desert Landscape’ is drenched in stormy indigo and sunlit ochre, drawn from the Out of Darkness collection. Here, wonder dissolves into the seen and unseen.
‘Cosmos Interstellar’ is molten lines in arctic white, drawn from the Out of Darkness collection. Structure flickers into emotion and back again.
‘Attention Span’ is plunging through celadon and smoke, drawn from the Out of Darkness collection. Balance tips toward awe and ambiguity.
‘Silver Landscape’ is a drift of moss and ember, drawn from the Out of Darkness collection. Forms collapse into reverie and return.
‘Rothko Reimagined’ is a drift of moss and ember, drawn from the Out of Darkness collection. Structure flickers into emotion and back again.
‘Golden Plot’ is cerulean meets bone-dry sienna, drawn from the Out of Darkness collection. Balance tips toward awe and ambiguity.
‘Golden Moment’ is cerulean meets bone-dry sienna, drawn from the Out of Darkness collection. Lines that whisper across thresholds of knowing.
Out Of Darkness
─ ARTIST COLLECTION 5Rangoli is made to dissolve — at temple thresholds, at festival doorways, in colored powder and intention. Rangoli in Permanence asks what happens when you refuse to let it fade.
In Fire and Flame, a radiant vertical block of yellow and red blazes against a field of sweeping blue and white arcs. The composition resonates with the luminous chromatic fields of Rothko and the energetic layering of Mehretu, balancing structure and motion in a single frame.
In Algorithm of Reflection, motion and stillness meet. Structure becomes mirror, and color turns contemplative — a quiet dialogue between energy and understanding.
In Algorithm of Fire, color becomes combustion — yellow and blue rising from a field of magenta heat. Structure meets energy, and integrity becomes transformation.
In Algorithm of Water, structure becomes fluid and integrity takes the shape of flow. The painting reveals a balance between movement and stillness — where coherence is not fixed but alive.
In Algorithm of Air, structure becomes movement — a geometry carried by breath. Logic dissolves into atmosphere, and integrity takes the shape of wind.
In Algorithm in Red Light, structure and emotion ignite. A vertical red form stands against dark motion, transforming logic into light and precision into feeling.
In Emergent Algorithm in Green, structure and motion intertwine. Geometry meets gesture, and order finds renewal through flow — a meditation on integrity as a living system.
In Silent Algorithm in Magenta, structure and emotion coexist in quiet tension. Logic breathes through color, and abstraction becomes the language of integrity — both rule and revelation.
Emerald Pulse stands at the intersection of balance and disruption: a vivid green block anchors the canvas while sweeping lilac and crimson gestures surge around it. The painting recalls the meditative geometries of Rothko and the layered dynamism of Bradford, offering a conversation between stability and motion.
Geometric Splendor
─ ARTIST COLLECTION 6
There is no center in this painting. A green world falling vertically, light arriving filtered, the whole surface the subject and nowhere in particular to land. Painted over a black and white canvas from 2024, whose comb still runs underneath.
‘Life is 3 Dimensional’ is humming with obsidian and gold, drawn from the Ephemeral Atmosphere collection. Structure flickers into emotion and back again.
‘Blurry Landscape’ is molten lines in arctic white, drawn from the Ephemeral Atmosphere collection. Structure flickers into emotion and back again.
‘Abstract Landscape’ is a quiet echo of saffron and slate, drawn from the Ephemeral Atmosphere collection. Every mark a memory half-remembered.
‘Pink Tornado’ is crimson tension woven into silence, drawn from the Ephemeral Atmosphere collection. A canvas holding both stillness and storm.
‘Jungle’ is humming with obsidian and gold, drawn from the Ephemeral Atmosphere collection. Lines that whisper across thresholds of knowing.
‘Human Print’ is drenched in stormy indigo and sunlit ochre, drawn from the Ephemeral Atmosphere collection. A canvas holding both stillness and storm.
‘Blue Planet’ is plunging through celadon and smoke, drawn from the Ephemeral Atmosphere collection. Each layer pulses with breath and restraint.
‘UFO’ is drenched in stormy indigo and sunlit ochre, drawn from the Ephemeral Atmosphere collection. Its rhythm stirs the unsaid.
‘Snow Storm’ is drenched in stormy indigo and sunlit ochre, drawn from the Ephemeral Atmosphere collection. Not an image — but an encounter.
In "Flight of Shadows," Ritu Raj captures the essence of motion and stillness through layered charcoal and black forms. This contemplative abstract painting invites viewers into a space of quiet tension and atmospheric depth.