A visit to the Pompidou and an Ellsworth Kelly painting sparked a shift in my practice—leading to a bold new series of textured black and white abstractions.

Finding my voice as an abstract artist wasn’t about claiming a style—it was about learning to listen. To trust the process. To let the work become its own language.

Finding my voice as an abstract artist wasn’t about claiming a style—it was about learning to listen. To trust the process. To let the work become its own language.

Painting with twine is a meditative act of surrender—where control gives way to intuition, and organic forms arise from motion, not planning. Like neural pathways or emotional echoes, each mark reflects a moment of trust, allowing life to shape the work in its own way.

Art isn’t just what we look at—it’s how we look. Inspired by Heidegger, this reflection explores abstraction as a way of revealing what we often overlook.