— THE FULL BODY OF WORKThe Paintings
By Medium
- 2022 1
- Acrylic 1
- Acrylic + Epoxy 14
- Acrylic on Canvas 88
- Agnes Martin 1
- Brice Marden 1
- Cecily Brown 1
- Collision 1
- Diptych 4
- Extra Large 21
- Ferrari art 5
- Fractal 1
- Franz Kline 1
- Hans Hofmann 1
- Hilma af Klint 1
- Indian Heritage 1
- Joan Mitchell 1
- Kandinsky 1
- Large 115
- Lee Ufan 1
- Medium 92
- Mixed Media on Canvas 60
- Mixed Media on Wood 19
- Oil on Canvas 90
- Orbs 1
- Rothko 1
- Sam Francis 1
- Small 27
- Southwest art 1
- Souza 1
- Swaminathan 1
- Wolfgang Laib 1
- Woodcut 13
- abstract landscape 1
- abstract painting phoenix 4
- acrylic on canvas 3
- algae art 1
- algorithmic art 1
- aquatic abstraction 6
- architectural art 35
- arid landscape 1
- atmospheric abstract painting 53
- atmospheric color 4
- automotive art 5
- awe 1
- balance and contrast art 2
- band painting 34
- beat painting 2
- black and white abstract art 17
- black field painting 10
The Sangam
Four arms of blue flow inward and meet, and at the meeting there is light — brighter than anything that arrived. Painted over a 2022 canvas turned ninety degrees, where the ridges of a painting that no longer exists carry all the glow.
The Blue Sanctum
Something in this painting has stopped moving and started giving off heat. A cobalt sanctum radiating ring after ring into an orange field — not a fortress keeping the warmth out, but the source that makes it.
Where Yellow Returns
One line that will not settle. The yellow crosses back on itself, knotting and coiling home against a deeply combed black field — restlessness with the volume up, and a homecoming underneath the loudness.
Passage of the Blue
One body in this painting refuses to hold still. The blue moves through a field that outnumbers it — jointed, insistent, declining to be absorbed — until you stay long enough to hear it was a passage all along.
Emergent Ground in Red
I painted over a finished oil painting. The red acrylic arrived like weather — total, consuming. And then the canvas pushed back. Fractal gaps opened. The grey beneath blinked through. The painting showed me what I couldn't have planned: that the ground was always the subject.
Rangoli in Permanence
Rangoli is made to dissolve — at temple thresholds, at festival doorways, in colored powder and intention. Rangoli in Permanence asks what happens when you refuse to let it fade.
Structural Emergence - On white's insistence, and the art of what survives noise
There is white in this painting that refuses to stay buried. Structural Emergence is an inquiry into what survives noise — what presses through accumulated color to assert itself, insistent, on the other side.
Phoenix: When Fire Becomes a Form of Thought
There is a moment in every painting when the surface stops being negotiable. With Phoenix, that moment came early — and never left. This is not a painting about fire. It is fire thinking about itself.
Rooms of the Unfinished
Abstract oil painting by Ritu Raj featuring layered rust and earth tones with emerging color rectangles — black, orange-red, deep crimson, teal, cobalt, and a yellow base strip. Abstract Inquiry Series. 5 × 5 ft. Phoenix, Arizona. 2026.
Fragments of Thought: Constructing Meaning Through Abstraction
A 6×6 ft abstract oil painting exploring layered color, fragmentation, and constructed meaning from the Abstract Inquiry Collection by Ritu Raj.
Submerged Structures: Memory Beneath the Surface
A 6×6 ft blue abstract oil painting exploring depth, memory, and layered structure from the Abstract Inquiry Collection by Ritu Raj.
Bands of Tension: Color, Conflict, and Control
A 6×6 ft abstract acrylic painting exploring bold color bands, layered texture, and sustained tension from the Abstract Inquiry Collection by Ritu Raj.
Mapping the Unseen: Lines of Inquiry in Color and Form
A 5×6 ft oil painting from the Abstract Inquiry Collection exploring structure, movement, and intuitive line — where every mark is a thought in motion.
Chromatic Constellation: A Grid of Gesture and Color
Chromatic Constellation is a 6 × 6 ft multi-panel abstract painting composed of nine 2 × 2 ft canvases exploring gesture, texture, and the relationship between structure and improvisation.
Ferrari Red and Silver
Ferrari Red and Silver is a 6 x 6 ft abstract painting where a glowing Ferrari-red square emerges from a textured metallic field, exploring energy, structure, and modernist influence.
Ferrari Core
Ferrari Core is a 72 x 72 inch abstract painting exploring contained energy through a Ferrari-red square embedded within a textured black field, combining precision, structure, and modernist influence.
Ferrari Divide
Ferrari Divide is a 72 x 60 inch abstract painting exploring speed, precision, and power through the dramatic tension between a bold Ferrari red field and a textured black geometric form.
Ferrari Aperture
Ferrari Aperture is a 6 x 6 ft abstract painting where a luminous Ferrari-yellow field surrounds a central black square, exploring light, structure, and geometric abstraction.
Ferrari Giallo
Ferrari Giallo is a 6 x 5 ft abstract painting inspired by Ferrari’s historic yellow, where a bold black diagonal structure cuts through a luminous field of color, suggesting speed and precision.