No Such Thing as Failure: Abstraction as Renewal

In abstract art, failure isn’t an end—it’s a new layer. I reflect on repainting old canvases and how past work quietly shapes the art I create today.

Canvas in Canvas, 6ft x 6ft, Black & White, 2024

In the world of abstract art, I’ve come to believe there’s no such thing as failure—only layers. My studio is filled with canvases that have lived multiple lives, each one a surface that once held a different vision, a different version of myself. Over time, I find myself painting over these earlier works, not because they were “wrong” or unsuccessful, but because they no longer reflect where my thinking and feeling are today. The old paintings are not erased; they become the foundation, a quiet history beneath the new. Each brushstroke carries traces of what came before.

Re-purposing a canvas is a practice of dialogue—between past and present, between intention and discovery. I couldn’t make the new work without the complexity of the old one underneath. Every texture, every ghosted shape, every stubborn mark I choose to keep or cover adds depth and meaning. It reminds me that in art, nothing is wasted. Unlike life, where we sometimes try to distance ourselves from past mistakes, art invites them in, transforms them, and builds upon them. What was once a misstep becomes part of the path toward something richer, more abstract, more honest.

I often wonder: what if we treated our personal “failures” like artists treat a canvas? What if every flawed attempt, every abandoned idea, every shift in direction wasn’t a dead end, but a layer waiting to be seen differently? In abstraction, failure isn’t an endpoint—it’s a beginning. Each so-called mistake offers a doorway into deeper exploration. The canvas teaches me this again and again: success isn’t a fixed outcome, but an evolving conversation between what was and what wants to emerge. And in that conversation, nothing is ever truly lost.

You can view the full Black and White Collection here ›.