Reflections On Paintings
Exploring Inspiration, Process, and the Artists Who Shape My Vision
“I create to shift how we see and feel through abstraction—opening space for reflection, connection, and quiet transformation. Change begins not with certainty, but with listening.” - Ritu Raj | Abstract Artist
Abstractions of Self is a living journal of my painting practice—where each post unravels the hidden layers behind a single work. These reflections explore how abstraction emerges not just from paint and gesture, but from memory, mood, and the invisible threads of influence. Here, I share the intuitive process that unfolds on the canvas, and connect each piece to the broader world of contemporary abstract art—honoring the artists, ideas, and philosophies that inspire and shape my creative journey. This is a space to look beneath the surface, to understand what cannot be explained in the work alone, and to discover how each painting becomes both a question and an answer.
Sticking Out
‘Sticking out’ is a drift of moss and ember, drawn from the Black and White collection. Each layer pulses with breath and restraint.
Industrial Whispers: Pipe
‘Pipe’ is a drift of moss and ember, drawn from the Black and White collection. Each layer pulses with breath and restraint.
Moon Over Lake
‘Moon Over Lake’ is molten lines in arctic white, drawn from the Black and White collection. Not an image — but an encounter.
Mona Lisa in a crowded Louvre
‘Mona Lisa in a crowded Louvre’ is humming with obsidian and gold, drawn from the Black and White collection. Every mark a memory half-remembered.
Iceland Hill by the Lake
‘Iceland Hill by the Lake’ is molten lines in arctic white, drawn from the Black and White collection. Each layer pulses with breath and restraint.
The Hanger in Negative Space
‘Hanger’ is molten lines in arctic white, drawn from the Black and White collection. Lines that whisper across thresholds of knowing.
Diagonal Shadow
‘Diagonal Shadow’ is cerulean meets bone-dry sienna, drawn from the Black and White collection. Lines that whisper across thresholds of knowing.
Canvas in Canvas
‘Canvas in Canvas’ is cerulean meets bone-dry sienna, drawn from the Black and White collection. Here, wonder dissolves into the seen and unseen.
Threshold of the Black Door
‘Black Door’ is molten lines in arctic white, drawn from the Black and White collection. Structure flickers into emotion and back again.
Black Church
‘Black Church’ is humming with obsidian and gold, drawn from the Black and White collection. Here, wonder dissolves into the seen and unseen.
Abstract Window into Nothing
‘Abstract Window into Nothing’ is plunging through celadon and smoke, drawn from the Black and White collection. Its rhythm stirs the unsaid.
Blue Legs in Landscape
‘Blue Legs’ is a quiet echo of saffron and slate, drawn from the Hand-painted Photography collection. Here, wonder dissolves into the seen and unseen.
Crashing Structures in Color
‘Crashing’ is a drift of moss and ember, drawn from the Greyscale collection. Structure flickers into emotion and back again.
Layered Abstract Thoughts
‘Thoughts’ is humming with obsidian and gold, drawn from the Greyscale collection. Here, wonder dissolves into the seen and unseen.
Disturbance
‘Disturbance’ is humming with obsidian and gold, drawn from the Greyscale collection. Forms collapse into reverie and return.
Silver Frame
‘Silver Frame’ is drenched in stormy indigo and sunlit ochre, drawn from the Geometric Splendor collection. Lines that whisper across thresholds of knowing.
Monster Dream
‘Monster Dream’ is plunging through celadon and smoke, drawn from the Geometric Splendor collection. Structure flickers into emotion and back again.
Life Scratches
‘Life Scratches’ is humming with obsidian and gold, drawn from the Geometric Splendor collection. Its rhythm stirs the unsaid.
Circle Barbed Wire
‘Circle Barbed Wire’ is cerulean meets bone-dry sienna, drawn from the Geometric Splendor collection. Each layer pulses with breath and restraint.