Art as a Way of Seeing

Art isn’t just what we look at—it’s how we look. Inspired by Heidegger, this reflection explores abstraction as a way of revealing what we often overlook.

Renaissance, 48 × 48 inch, Pop Art, 2025

Heidegger didn’t think of art as an object to be admired. For him, art was a way of revealing—something that lets us see what’s normally hidden in everyday life. Not just with our eyes, but with our whole being. That resonates deeply with how I approach my own work, especially in abstraction.

Abstract art doesn’t explain. It doesn’t point to anything specific. Instead, it opens up a space—an experience. A texture, a form, a rhythm. Something begins to surface. Something you feel before you understand.

Heidegger called this process aletheia, or unconcealment. Art brings what’s concealed into the light—not by force, but by presence. The artist’s role is not to direct that unveiling, but to stay in dialogue with it. That’s how it feels in the studio. The work is not mine to control. It’s something I meet, moment by moment.

This way of seeing requires attention. It asks us to slow down and notice what’s quietly unfolding. Each engagement with a painting is different. The work changes as we change. The truth it offers isn’t fixed—it’s lived.

For Heidegger, the artist is an explorer—not of ideas, but of being itself. The work reveals what we didn’t know we were missing. That’s the gift of art. Not an answer, but a doorway. A pause. A felt truth that can’t be translated into words.

That’s why I paint—not to illustrate, but to witness. Not to control, but to participate. Because art, at its core, is not just a thing we see—it’s a way of seeing.